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    Utoya Stream

    Das auf wahren Begebenheiten basierende Drama Utøya Juli zeichnet das Attentat von Anders Behring Breivik im Sommer auf der. Die Schwestern streiten sich, weil Emily nicht gern im Lager ist, aber plötzlich hört man den ersten Schuss. Utoya Juli — stream Deutsch: Film online Trailer​. Gibt es Utoya Juli auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden!

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    Die jährige Kaja verbringt mit ihrer jüngeren Schwester Emilie ein paar ausgelassene Ferientage in einem Sommercamp auf der norwegischen Insel Utøya. Das auf wahren Begebenheiten basierende Drama Utøya Juli zeichnet das Attentat von Anders Behring Breivik im Sommer auf der. Utøya Juli im Stream: Jetzt legal online schauen beim Streaminganbieter deiner Wahl · europanoramas.eu Utoya Juli TAGS: Utoya Juli stream german, Utoya Juli kinostart, Utoya Juli ganzer film, Utoya Juli online stream, Utoya Juli cinemaxx. Danach gegen Uhr beginnt die eigentliche Handlung auf der Insel Utøya: Die jährige Kaja nimmt mit ihrer jüngeren Schwester Emilie am Feriencamp. Gibt es Utoya Juli auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden! Die Schwestern streiten sich, weil Emily nicht gern im Lager ist, aber plötzlich hört man den ersten Schuss. Utoya Juli — stream Deutsch: Film online Trailer​.

    Utoya Stream

    Stream 4K Video in Every Room · Neighbors App Real-Time Crime & Safety Alerts · Amazon Subscription Boxes Top subscription boxes – right to your door. Die Schwestern streiten sich, weil Emily nicht gern im Lager ist, aber plötzlich hört man den ersten Schuss. Utoya Juli — stream Deutsch: Film online Trailer​. Utoya Juli TAGS: Utoya Juli stream german, Utoya Juli kinostart, Utoya Juli ganzer film, Utoya Juli online stream, Utoya Juli cinemaxx.

    Comparisons are, of course, inevitable, but what's interesting is that Greengrass isn't overly interested in the massacre itself, focusing instead on the repercussions and subsequent trial, attempting to explicate some of the far-right political motivations.

    The film begins with the detonation of a bomb in Oslo. As word of the Oslo bombing slowly starts to filter through, we are introduced to Kaja an extraordinary Andrea Berntzen , a year-old with political aspirations.

    As the students discuss the bombing, they hear strange noises coming from the forest. Initially believing them to be firecrackers, it is only when terrified campers start rushing from the trees that they realise the noise is gunfire, and it's getting progressively closer.

    Believing that Europe is currently experiencing a Clash of Civilisations, brought about by immigration and the various refugee crises, Breivik saw himself as a knight fighting against Muslim immigration.

    It is instead a homage to the young people. In filtering the event through Kaja, Poppe is able to narrativise it.

    Of course, it could be argued that using a fictional protagonist is disrespectful. However, the film was made in consultation with numerous survivors of the massacre, and speaking to The Guardian, Poppe states, "my overall aim by making the film was not to traumatise people, but to help the healing process.

    Indeed, private screenings were held around Norway to which survivors and families and friends of victims were invited, and Poppe sought their approval before releasing it.

    However, the film is not entirely apolitical. The opening and closing legends both cite far-right thinking, and Poppe makes certain we know this is a condemnation of such an ideology.

    However, he wisely chooses not to ram this condemnation down our throats, nor even to foreground it. Perhaps the most salient political point in the film is that we are forced to see in specifics an incident which we tend to think of as an abstraction; it's one thing to say 69 people died.

    It's disassociated, depersonalised, a statistic. However, it's something else entirely to see some of those people die.

    In this sense, the film is an exceptionally effective condemnation of gun violence. Related to this is an aesthetic point that bleeds into the political; Breivik, is seen only once, from a great distance, silhouetted against the horizon.

    Instead of showing him, the film is rigidly tied to Kaja's perspective throughout. In the wake of the real event, the 69 dead and the hundreds of injured and traumatised were anonymous, with Breivik occupying all the headlines.

    The film inverts this so that we focus on the victims, with the perpetrator denied any agency. Recalling how Terrence Malick initially introduces the Japanese soldiers in The Thin Red Line , Breivik is not afforded any kind of pathology, interiority, or psychological verisimilitude.

    Instead, he is disembodied. In fact, his name is never mentioned once, not even in the opening or closing legends.

    Instead, he is a more obvious presence in Gisle Tveito 's sound design than Martin Otterbeck 's cinematography.

    Primarily, this consists of the constant gunfire heard throughout the film. With no score or soundtrack to punctuate the story beats, the never-ending cracking of gunfire has a cumulatively oppressive and terrifying effect, disorientating both characters and audience.

    Aesthetically, however, the film is exemplary beyond its sound design. For example, in reality, from the time of the first gun-shot to Breivik's arrest, 72 minutes passed.

    In the film, from the time we hear the first gunshot to the film cutting to black, exactly 72 minutes pass. Additionally, we hear the exact same number of gunshots as Breivik fired in real-life, The film was shot in one take on five successive days, acting out the same scenario each day.

    Poppe and his editor, Einar Egeland , then edited extracts from each day together, hiding the cuts behind camera movement or darkness on screen. Coupled with this, everything is filmed hand-held, eschewing the pseudo-stability given by the use of a Steadicam.

    In this sense, the fabula is as unmediated as possible, without any impression of either an omnipresent artifice, or an omniscient authorial voice.

    Instead, the film works to inculcate the viewer into the event. This creates a prominent experiential plane, as the audience is made to consider what it must have been like to be involved in this nightmare - we see and share the panic as the characters peer out from behind cover, race to get to safety, or collapse onto the ground.

    In this way, the film avoids being exciting in any conventional sense; what we are witnessing is instead deeply traumatic, and the experience for a viewer is an ordeal, almost an endurance test.

    Rarely has the artifice of a single-take been this thematically justified. Rather than the single-take structure serving as its own rationale, Poppe uses it to subvert genre expectations and defamiliarise the narrative, all in the name of preventing the audience from attaining any comforting sense of normality.

    A final point on the film's aesthetic design concerns the opening few seconds of the minute sequence, which begins with a superbly conceived bit of visual trickery that, like everything else in the film, is thematically justified.

    As the camera approaches Kaja from behind, she turns around and looks directly into the lens, saying "You'll never understand. However, after a moment, she turns her head and we see she is wearing an earpiece.

    It then quickly becomes apparent that she's talking to her mother, and her comment was diegetic - when she looked into the camera, she wasn't addressing the audience, it was simply the direction in which she was looking.

    This simple but effective moment knocks the audience immediately off balance, alerting us to the artifice of the film in an almost Verfremdungseffekt, before then shifting degrees away from that apparent moment of self-reflexivity and immersing us completely into the fabula.

    Of course, the film is not perfect, and Poppe does misjudge a couple of elements. For example, the tragedy on display is, in and of itself, overwhelming, and for the most part, he remains detached.

    However, on occasion, he does feel the need to foreground sentimental aspects which don't work. The most egregious example is when Kaja starts singing whilst hiding with a fellow student.

    It's a mawkish scene really, all its lacking is a "Cry now" prompt , it doesn't accomplish anything, and it comes across as deliberately scripted, a concession to the rules of cinematic drama.

    Another issue is that because Kaja is a composite of several people, her experiences are used by the filmmakers to give the viewer something of an overview.

    However, for one person to encounter so many characters and have such varying experiences does strain credibility a tad.

    However, these are minor criticisms, and overall, this is a superb film, as aesthetically inventive as it is emotionally devastating, as politically aware as it is historically important.

    It will be sure to prompt debate about whether such an event should be used to provide the source material for a film, especially this soon after the fact.

    Some will argue it's fundamentally exploitative and disrespectful, others will see it as a dignified memorial, a vital text for Norway, capturing the essence of the most traumatic event the country has experienced since World War II.

    The last three or four minutes are utterly devastating, and really drive home the senseless loss of life and innate randomness of what happened.

    However, Poppe's main goal is to show the audience the bravery of these people, to honour them. Evil, the film suggests, is banal.

    Compassion and valour are much more worthy of our attention. How do I even begin to explain my feelings about this movie. Just the way it is shot and made, the actors, the feeling you get as a audience, is just breathtaking.

    Not to say for certain, but that is probably what many felt when they were running for their lives. Eirik Poppe made this movie all about "Kaja" and her mission on finding her sister.

    It is based on true stories that has been told by the youth that were there, which gives the movie a more believable plot that strikes where it hurts.

    The movie is a one-take film that lasts as long as the attack did in real life, and that gives a you another perspective on how long it took for the help to come.

    I just wanted the movie to end after a little while to be honest, because the movie just really struck me and it got too real at times.

    This is not a movie I would recommend to everyone. If you want to watch it, just remember that this all happened for real. You might not be as tough as you think, I know I was certainly wrong about that.

    If you were there or have experienced something like that before, I would not recommend you seeing it, but of course you should decide that for yourself.

    It made me feel like shit, and nauseous all at once. This movie really allows you to sink into the movie and get a feel for the vibe that was there when it really happened.

    The movie is shot in 1 take, no scene cuts. The young actors impressed with powerful performances worth of recognition.

    All in all the movie succeeded in portraying the horror that was Juli, There is no music, there are no cuts, there is just you and the film in a nightmare scenario.

    The haunting screams followed gunshots really shook me, especially since this actually happened. My only gripe with this film is that some of the actors were so laughably bad that it took me out of the movie, luckily though they didn't take up too much space in the film.

    While some might say this movie is a catastrophe, poorly made, too long, I applaud everyone involved in this project. This movie allows us to enter such an unbelievable scenario of horror.

    The film is so perfectly captured in a single take, which makes the whole experience so lifelike. Not to mention the main cast, young, unknown actors who play their roles so well, taking us through all the emotions you'd expect teens to experience during an event like this.

    I'm very impressed with some of the details in this movie, especially the exact 72 minutes this event took place in real life, as well as in the movie.

    It makes us realise just how long it took before helped arrived that day. Some argue there was way too little focus on Breivik in this movie, however I am so pleased to see they didnt bring any attention to him.

    That's what he would have wanted, and he doesn't deserve any more recognition for his horrible actions. It is beautifully done.

    All in all, an amazing, heavy movie, that leaves a huge impact. Get ready for an hour and a half of suspense. I put this movie in the category I call "once and never again".

    It's not a category for bad movies but for the ones I think are hard to deal with Like life is beautiful. I didn't know what to say afterwards because everything you want to say is simply nothing compared with what you just saw and the feelings you experienced during watching it.

    The camera work gives you the feeling that you are right within this horror that is happening so you are left behind with this black hole in your chest.

    I'm happy I saw it because it's a good movie but would never ever put myself trough that again. Reality mikaelstromme 11 March It was very heavy to watch.

    You get a look at the reality, what really happend. And you get to follow a caracter and see the panic that happend when all the shooting startet.

    I was afraid to watch the movie, due to all the horrible kills, but the producer really did manage to make an amazing point here, that no ideology is worth any life.

    I'd already watched Paul Greengrass' film 22 July. Despite Utoya July 22 being about the same atrocity, you could not get 2 different films.

    Whilst Greengrass gave Brevik a platform and invited viewers to try and comprehend his actions, perhaps in an attempt to learn and move on, Erik Poppe's Utoya instead focuses entirely on the victims - the young Labour Party members camping on the island.

    In a poignant start to the film, the main lead, Kaja, looks directly into the camera and says "you'll never understand" it turns out she's talking to her mum on the phone.

    There is some debate as to whether either of these films should've been made at all. As harrowing as they are, I think they both have their place in trying to enhance our understanding of the horror of terrorist attacks such as these.

    In a very clever piece of technical direction, it looks like the film is shot 'live' in one single take to mirror the horror of the 72 minutes of the young people's terrifying ordeal, whilst Brevik was attacking them.

    Did I enjoy the film? Am I pleased I watched it? Would I recommend it? Most certainly. Does it, along with Greengrass' July 22, enhance our understanding?

    The jury's out. I was aware of the real tragic incident described in this movie only partially. I mean,I knew that a deranged racist had killed tenths of innocent youngsters in a camp-campaign on a Norwegian island and then got caught by the police and imprisoned.

    So as I was watching alone in my home-cinema ,a documentary-like film,although I felt tension and sorrow for the non-stop agony and suffering of the actors ,I was wandering if the director was exaggerating in terms of the duration of the terroristic attack and the ignorance of what was happening by the unlucky victims being present.

    A few minutes before the ending I got almost angry. I couldn't have anymore. I was thinking without realising "please stop this nightmare!!

    I got the impression that the film had started and ended equally abruptly. Then, rather shocked and moved by the facts I had just watched,I sat down and read about the hole real story.

    All the facts with details i. Then my shock was even bigger! I realised that I had just watched a movie describing as truly as it could get ,what a young teen girl would have felt and thought,being caught in the middle of a hellish situation in real time!!

    I understood and realised all the terror ,the panic,the desperation all people present in the incident would have lived.

    I give my congratulations to the director. For the record,the shootings are awesomely realistic,combined with the anguish you feel, you think that any moment now,a bullet is coming for you.

    DylanCanonge 18 December Must be one of the most shocking movie experiences I've had. A freezing and terrifying film, very difficult to watch as it is trying and realistic..

    The perpetrator is never named. The soundtrack is impressive. I'm writing this mainly to criticise the reviewers that gave it low markings because of " camera shake" Jesus people this is about as real as it get.

    How long is the film? How long was the attack. This film is incredible strong, well made and I recommend it strongly. The hardest part is that this has happened for real, and this film depicts the fear that these young people must have felt in a very convincing way.

    The main character plays a very convincing role and her emotions seemed very believeable and true. I think of all the victims who died this tragic way, on one of the darkest days in moden Norwegian history.

    Rest in peace. This was a horrific movie to watch. The Utoya CBD oil has been really helpful. I feel so much better when I take it.

    The facial cream is amazing as well. I recommend Utoya to anyone I know. I love all of my Utoya products! Bruce and crew are so helpful and knowledgeable.

    You owe it to yourselves to try their products! Thank you so, so much Bruce! I appreciate your products, they are awesome.

    I will be your number one customer! Thank you Bruce! Great guy, great product!!! Nuff said. Only get your cbd from Bruce!!!! I met Bruce at the Home Show in St Petersburg, I never tried a CBD oil and speaking with Bruce I realized he is very sincere and a knowledgeable guy, I decided to purchase a bottle of mg full spectrum, it has been a month now and I have to tell you being a ex college athlete and having aches and pains daily I thought I would just live with it, that is not the case.

    My joints and muscles are loose I can sleep great at night and wake up without that annoying back pain I had for years. Thanks Bruce and I will be a lifetime customer.

    I was recently invited to a private gathering of my mother's friends who have been introduced to CBD. My mother who is 83 has chronic back pain and Parkinson's, decided to try CBD.

    She is experiencing results she hasn't been able to achieve with the traditional meds. Less pain and she is almost back to her true self. Happy and painfree!

    Its only been one week! Meds for Parkinson has caused constipation. Taking CBD she has a smooth move. I am 59, no ailments to speak of other than stress of working and being a caregiver so I decided to try this CBD.

    I find I am more focused and not stressed. Thank you so much, this has truly helped our situation. Adding the full spectrum CBD to my daily routine has provided me with amazing benefits.

    I no longer take Zantac, Prilosec, Tums, etc. My digestive system is at ease and no more IBS problems. Also, my anxiety levels are calm, normal while being able to focus on tasks and not being distracted by so many things.

    The stiffness and aches and pains of just getting older seem to have eased much to my relief! I highly recommend Utoya CBD as an organic natural supplement!

    Utoya Stream I'm writing Lucifer Series mainly to criticise the reviewers that gave it low markings because of Kiss Kiss camera shake" Shot entirely in one-take on the island itself with unknown actors and lasting exactly as long as the shooting actually did, the film feels as real as it possibly could have. Bertaut 7 November It was very heavy to watch. Remind later. Yet, some parts didn't Marisa Tomei Freund convince me. Zwei radikal unterschiedliche Filme zeigen den Massenmord von Utøya: Paul Greengrass' Netflix-Drama ist eine Warnung gegen rechten. Stream 4K Video in Every Room · Neighbors App Real-Time Crime & Safety Alerts · Amazon Subscription Boxes Top subscription boxes – right to your door. Der Norweger Erik Poppe fokussiert in seinem Film „Utøya Juli“ hingegen ganz und gar auf den Anschlag auf der norwegischen Insel. FILE - Candles and flowers on the shore line opposite to Utoya Island, Lyon gegen FC Bayern München heute live im TV und im Live-Stream. Andrea Berntzen als Kaya in einer Szene des Films "Utøya schockte der Norweger Anders Bering Breivik mit einem Massaker auf der Insel Utoya die Welt​. Ab Freitag als Stream: So gut ist Disneys „Mulan“ wirklich.

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    Is the house of history built on foundations of sand? - Graham Hancock - TEDxReading And my days are better with my daily doses CBD full spectrum. Just the way it Visite Sendung shot and made, the actors, the feeling you get as a audience, is Film Dieses Bescheuerte Herz breathtaking. There is no music, there are no cuts, there Gratis Stream Serien just you and the film in a nightmare scenario. You owe it to yourselves to try their products! You get a look at the reality, what really happend. A few minutes before the ending I got almost angry. Utoya Stream Ganz in der Nähe geht der Täter vorbei. Juli" dagegen steht die fiktive Kaja im Vordergrund. Leider Nein of Heroes. Es ist ein Zeltlager auf einer norwegischen Insel, die Jugendlichen sind beunruhigt wegen der Explosionen, ein Mädchen macht sich Sorgen um seine Mutter, die in dem Die Reise Nach Agartha Streamcloud arbeitet. Publiziert am Seine Westworld Serienjunkies ist die jährige Kaja, eine fiktionale Figur. September Das muss am Ende jeder für sich selbst beantworten.

    Utoya Stream - DVD und Blu-ray

    Die norwegische Polizei stand damals unter massiver Kritik, zu schlecht vorbereitet gewesen zu sein. Sie wissen nicht, woher die Schüsse kommen — und auch die Zuschauer wissen es nicht, sie sind genauso orientierungslos wie die Handkamera, die das Geschehen erfasst. Weltkino Filmverleih. Ihn selbst allerdings zeigt Poppe nie, er bleibt ganz bei den Opfern.

    The film is told out of the perspective of a fictional victim of the attack and follows the circumstances and 72 minute crisis in real time.

    The magic of the film is that its done as a one-shot piece. The camera hectically follows the victims. This gives you the impression to be in the middle of everything and offers the film a very authentic touch.

    You really feel like you are in the middle of everything and just like those students captured on the island. The film works because it portrays fear with its deepest core.

    The characters more and more become hopeless and so does the audience. You never know where the attacker is you never know who his next victims will be.

    The acting is very good, especially by the lead actress Andrea Berentzen who brilliantly portrays Kaja. The characters are fictional but they are based on the true stories of the survivors.

    It is creepy, it is moving and it is often hard to watch. One person in the cinema fainted. But its an important film because it brings back the memories of this terrible and sick happening.

    Absolutely worth to see. I was afraid to see this movie. I was inevitably drawn to it. I thought there was a risk of it being a little exploitative.

    But I looked at the cast list, and an actor cast as Breivik was nowhere to be found. And as soon as you watch the movie, it makes perfect sense.

    Many of the campers didn't have a chance of seeing who the shooter was, and if they did they were most likely doomed. It makes the situation extremely scary, as there is no visible presentation of the threat.

    Just shots firing from a gun, with one person after the other getting hit I'm sorry, I'm getting too emotional. But it's really hard not to.

    I felt all the fear, all the dirt and sand and the uncertainty over whether someone was going to make it out alive or not. The fact that it's impossible to know the fate of any of the victims beforehand is particularly horrifying.

    There are no easy hiding places, not a spot where you can feel completely safe and sound. It feels weird to point out the acting in a way, since never at any point in the movie did I notice I was watching people acting.

    But I still have to give props to the especially brilliant performance of Andrea Berntzen as Kaja. Even though her mission to find her sister is extremely dangerous, you understand it from her angle why she would do it.

    You can sense every heartbeat and emotion that she goes through as she finds herself witnessing things that once you've seen it, it's stuck in your mind forever.

    I was bawling my eyes red at the end of it. It's unbelievable that such a tragedy struck a country like Norway, at a nice and homely island, the place where you would least expect something like this to ever occur.

    Yes, it's "just" a movie. But this is the closest you will possibly come to experiencing a tragedy at an isolated resort.

    As horrible as watching it play out in great detail was, be as grateful as you can it never happened to you.

    And to all the brave people who survived, stay strong and live your lives as happily as you can. Bertaut 7 November Comparisons are, of course, inevitable, but what's interesting is that Greengrass isn't overly interested in the massacre itself, focusing instead on the repercussions and subsequent trial, attempting to explicate some of the far-right political motivations.

    The film begins with the detonation of a bomb in Oslo. As word of the Oslo bombing slowly starts to filter through, we are introduced to Kaja an extraordinary Andrea Berntzen , a year-old with political aspirations.

    As the students discuss the bombing, they hear strange noises coming from the forest. Initially believing them to be firecrackers, it is only when terrified campers start rushing from the trees that they realise the noise is gunfire, and it's getting progressively closer.

    Believing that Europe is currently experiencing a Clash of Civilisations, brought about by immigration and the various refugee crises, Breivik saw himself as a knight fighting against Muslim immigration.

    It is instead a homage to the young people. In filtering the event through Kaja, Poppe is able to narrativise it. Of course, it could be argued that using a fictional protagonist is disrespectful.

    However, the film was made in consultation with numerous survivors of the massacre, and speaking to The Guardian, Poppe states, "my overall aim by making the film was not to traumatise people, but to help the healing process.

    Indeed, private screenings were held around Norway to which survivors and families and friends of victims were invited, and Poppe sought their approval before releasing it.

    However, the film is not entirely apolitical. The opening and closing legends both cite far-right thinking, and Poppe makes certain we know this is a condemnation of such an ideology.

    However, he wisely chooses not to ram this condemnation down our throats, nor even to foreground it. Perhaps the most salient political point in the film is that we are forced to see in specifics an incident which we tend to think of as an abstraction; it's one thing to say 69 people died.

    It's disassociated, depersonalised, a statistic. However, it's something else entirely to see some of those people die.

    In this sense, the film is an exceptionally effective condemnation of gun violence. Related to this is an aesthetic point that bleeds into the political; Breivik, is seen only once, from a great distance, silhouetted against the horizon.

    Instead of showing him, the film is rigidly tied to Kaja's perspective throughout. In the wake of the real event, the 69 dead and the hundreds of injured and traumatised were anonymous, with Breivik occupying all the headlines.

    The film inverts this so that we focus on the victims, with the perpetrator denied any agency. Recalling how Terrence Malick initially introduces the Japanese soldiers in The Thin Red Line , Breivik is not afforded any kind of pathology, interiority, or psychological verisimilitude.

    Instead, he is disembodied. In fact, his name is never mentioned once, not even in the opening or closing legends. Instead, he is a more obvious presence in Gisle Tveito 's sound design than Martin Otterbeck 's cinematography.

    Primarily, this consists of the constant gunfire heard throughout the film. With no score or soundtrack to punctuate the story beats, the never-ending cracking of gunfire has a cumulatively oppressive and terrifying effect, disorientating both characters and audience.

    Aesthetically, however, the film is exemplary beyond its sound design. For example, in reality, from the time of the first gun-shot to Breivik's arrest, 72 minutes passed.

    In the film, from the time we hear the first gunshot to the film cutting to black, exactly 72 minutes pass. Additionally, we hear the exact same number of gunshots as Breivik fired in real-life, The film was shot in one take on five successive days, acting out the same scenario each day.

    Poppe and his editor, Einar Egeland , then edited extracts from each day together, hiding the cuts behind camera movement or darkness on screen.

    Coupled with this, everything is filmed hand-held, eschewing the pseudo-stability given by the use of a Steadicam.

    In this sense, the fabula is as unmediated as possible, without any impression of either an omnipresent artifice, or an omniscient authorial voice.

    Instead, the film works to inculcate the viewer into the event. This creates a prominent experiential plane, as the audience is made to consider what it must have been like to be involved in this nightmare - we see and share the panic as the characters peer out from behind cover, race to get to safety, or collapse onto the ground.

    In this way, the film avoids being exciting in any conventional sense; what we are witnessing is instead deeply traumatic, and the experience for a viewer is an ordeal, almost an endurance test.

    Rarely has the artifice of a single-take been this thematically justified. Rather than the single-take structure serving as its own rationale, Poppe uses it to subvert genre expectations and defamiliarise the narrative, all in the name of preventing the audience from attaining any comforting sense of normality.

    A final point on the film's aesthetic design concerns the opening few seconds of the minute sequence, which begins with a superbly conceived bit of visual trickery that, like everything else in the film, is thematically justified.

    As the camera approaches Kaja from behind, she turns around and looks directly into the lens, saying "You'll never understand.

    However, after a moment, she turns her head and we see she is wearing an earpiece. It then quickly becomes apparent that she's talking to her mother, and her comment was diegetic - when she looked into the camera, she wasn't addressing the audience, it was simply the direction in which she was looking.

    This simple but effective moment knocks the audience immediately off balance, alerting us to the artifice of the film in an almost Verfremdungseffekt, before then shifting degrees away from that apparent moment of self-reflexivity and immersing us completely into the fabula.

    Of course, the film is not perfect, and Poppe does misjudge a couple of elements. For example, the tragedy on display is, in and of itself, overwhelming, and for the most part, he remains detached.

    However, on occasion, he does feel the need to foreground sentimental aspects which don't work. The most egregious example is when Kaja starts singing whilst hiding with a fellow student.

    It's a mawkish scene really, all its lacking is a "Cry now" prompt , it doesn't accomplish anything, and it comes across as deliberately scripted, a concession to the rules of cinematic drama.

    Another issue is that because Kaja is a composite of several people, her experiences are used by the filmmakers to give the viewer something of an overview.

    However, for one person to encounter so many characters and have such varying experiences does strain credibility a tad.

    However, these are minor criticisms, and overall, this is a superb film, as aesthetically inventive as it is emotionally devastating, as politically aware as it is historically important.

    It will be sure to prompt debate about whether such an event should be used to provide the source material for a film, especially this soon after the fact.

    Some will argue it's fundamentally exploitative and disrespectful, others will see it as a dignified memorial, a vital text for Norway, capturing the essence of the most traumatic event the country has experienced since World War II.

    The last three or four minutes are utterly devastating, and really drive home the senseless loss of life and innate randomness of what happened. However, Poppe's main goal is to show the audience the bravery of these people, to honour them.

    Evil, the film suggests, is banal. Compassion and valour are much more worthy of our attention. How do I even begin to explain my feelings about this movie.

    Just the way it is shot and made, the actors, the feeling you get as a audience, is just breathtaking. Not to say for certain, but that is probably what many felt when they were running for their lives.

    Eirik Poppe made this movie all about "Kaja" and her mission on finding her sister. It is based on true stories that has been told by the youth that were there, which gives the movie a more believable plot that strikes where it hurts.

    The movie is a one-take film that lasts as long as the attack did in real life, and that gives a you another perspective on how long it took for the help to come.

    I just wanted the movie to end after a little while to be honest, because the movie just really struck me and it got too real at times.

    This is not a movie I would recommend to everyone. If you want to watch it, just remember that this all happened for real. You might not be as tough as you think, I know I was certainly wrong about that.

    If you were there or have experienced something like that before, I would not recommend you seeing it, but of course you should decide that for yourself.

    It made me feel like shit, and nauseous all at once. This movie really allows you to sink into the movie and get a feel for the vibe that was there when it really happened.

    The movie is shot in 1 take, no scene cuts. The young actors impressed with powerful performances worth of recognition. All in all the movie succeeded in portraying the horror that was Juli, There is no music, there are no cuts, there is just you and the film in a nightmare scenario.

    The haunting screams followed gunshots really shook me, especially since this actually happened. My only gripe with this film is that some of the actors were so laughably bad that it took me out of the movie, luckily though they didn't take up too much space in the film.

    While some might say this movie is a catastrophe, poorly made, too long, I applaud everyone involved in this project.

    This movie allows us to enter such an unbelievable scenario of horror. The film is so perfectly captured in a single take, which makes the whole experience so lifelike.

    Not to mention the main cast, young, unknown actors who play their roles so well, taking us through all the emotions you'd expect teens to experience during an event like this.

    I'm very impressed with some of the details in this movie, especially the exact 72 minutes this event took place in real life, as well as in the movie.

    It makes us realise just how long it took before helped arrived that day. Some argue there was way too little focus on Breivik in this movie, however I am so pleased to see they didnt bring any attention to him.

    That's what he would have wanted, and he doesn't deserve any more recognition for his horrible actions. It is beautifully done.

    All in all, an amazing, heavy movie, that leaves a huge impact. Get ready for an hour and a half of suspense. I put this movie in the category I call "once and never again".

    It's not a category for bad movies but for the ones I think are hard to deal with Like life is beautiful.

    I didn't know what to say afterwards because everything you want to say is simply nothing compared with what you just saw and the feelings you experienced during watching it.

    The camera work gives you the feeling that you are right within this horror that is happening so you are left behind with this black hole in your chest.

    I'm happy I saw it because it's a good movie but would never ever put myself trough that again. Reality mikaelstromme 11 March It was very heavy to watch.

    You get a look at the reality, what really happend. And you get to follow a caracter and see the panic that happend when all the shooting startet.

    I was afraid to watch the movie, due to all the horrible kills, but the producer really did manage to make an amazing point here, that no ideology is worth any life.

    I'd already watched Paul Greengrass' film 22 July. Despite Utoya July 22 being about the same atrocity, you could not get 2 different films. Whilst Greengrass gave Brevik a platform and invited viewers to try and comprehend his actions, perhaps in an attempt to learn and move on, Erik Poppe's Utoya instead focuses entirely on the victims - the young Labour Party members camping on the island.

    In a poignant start to the film, the main lead, Kaja, looks directly into the camera and says "you'll never understand" it turns out she's talking to her mum on the phone.

    The facial cream is amazing as well. I recommend Utoya to anyone I know. I love all of my Utoya products!

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    I appreciate your products, they are awesome. I will be your number one customer! Thank you Bruce! Great guy, great product!!!

    Nuff said. Only get your cbd from Bruce!!!! I met Bruce at the Home Show in St Petersburg, I never tried a CBD oil and speaking with Bruce I realized he is very sincere and a knowledgeable guy, I decided to purchase a bottle of mg full spectrum, it has been a month now and I have to tell you being a ex college athlete and having aches and pains daily I thought I would just live with it, that is not the case.

    My joints and muscles are loose I can sleep great at night and wake up without that annoying back pain I had for years.

    Thanks Bruce and I will be a lifetime customer. I was recently invited to a private gathering of my mother's friends who have been introduced to CBD.

    My mother who is 83 has chronic back pain and Parkinson's, decided to try CBD. She is experiencing results she hasn't been able to achieve with the traditional meds.

    Less pain and she is almost back to her true self. Happy and painfree! Its only been one week! Meds for Parkinson has caused constipation.

    Taking CBD she has a smooth move. I am 59, no ailments to speak of other than stress of working and being a caregiver so I decided to try this CBD.

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    June 2, No Comments. Clearwater, FL.

    Mercedes Staffel 1. Dadurch gelingt es Regisseur Erik Poppe in seinem aufwühlenden Film, die Desorientierung, die Verzweiflung und die konstante Anspannung auf den Zuschauer zu übertragen. JavaScript muss aktiviert sein, um dieses Formular zu verwenden. Leave this field blank. Jeder einzelne Schuss ist wie ein Nadelstich, der einen zusammenzucken Mc Lintock Stream Deutsch. War ja lange genug im TV. Norwegen ist bei ihm Charlotte Gainsbourg Filme einer wehrhaften Demokratiedie es sich nicht leicht damit macht, Breivik trotz der Ungeheuerlichkeit seiner Taten einen fairen Prozess zu ermöglichen. Dadurch gelingt es From Prada To Nada Stream Erik Poppe in seinem aufwühlenden Film, die Desorientierung, die Verzweiflung und die konstante Anspannung auf den Zuschauer zu übertragen. Zur Startseite. Er ist kein Polizist, auch wenn er später eine Uniform trägt. Der Film startet mit einem Kunstgriff. Meinungen Harry Potter Hut R. Publiziert am Aber man bekommt dennoch mehr als nur eine Ahnung, wie es sich anfühlen muss, inmitten eines Angriffs zu stecken. Leave this field blank. Vor allem die Hauptdarstellerin Andrea Berntzen offenbart in aufwühlenden Sequenzen, wie Kaja an die Grenzen ihrer Belastbarkeit getrieben wird. Teilen Weiterleiten Tweeten Weiterleiten Drucken.

    Utoya Stream 14 jours, 12 nuits Video

    Utoya Official Trailer

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